Mozart wrote his Quintet for Clarinet for String Quartet in the final months of his life. Enthralled by the superb playing of Anton Stadler on this newly created instrument, he created a sublime work of extraordinary beauty. The program concludes with a heartfelt and compelling work by one of Russia’s... [Read More]
Mozart wrote his Quintet for Clarinet for String Quartet in the final months of his life. Enthralled by the superb playing of Anton Stadler on this newly created instrument, he created a sublime work of extraordinary beauty. The program concludes with a heartfelt and compelling work by one of Russia’s... [Read More]
Mozart wrote his Quintet for Clarinet for String Quartet in the final months of his life. Enthralled by the superb playing of Anton Stadler on this newly created instrument, he created a sublime work of extraordinary beauty. The program concludes with a heartfelt and compelling work by one of Russia’s... [Read More]
Mozart wrote his Quintet for Clarinet for String Quartet in the final months of his life. Enthralled by the superb playing of Anton Stadler on this newly created instrument, he created a sublime work of extraordinary beauty. The program concludes with a heartfelt and compelling work by one of Russia’s... [Read More]
Chamber music was hard to sell in 19th century Paris which was totally absorbed by opera, but a few composers took a stand and stood out. Two of them were women, Louise Farrenc, the first female professor at the Paris Conservatory, and Mélanie Bonis, who disguised her gender by using... [Read More]
Chamber music was hard to sell in 19th century Paris which was totally absorbed by opera, but a few composers took a stand and stood out. Two of them were women, Louise Farrenc, the first female professor at the Paris Conservatory, and Mélanie Bonis, who disguised her gender by using... [Read More]
Chamber music was hard to sell in 19th century Paris which was totally absorbed by opera, but a few composers took a stand and stood out. Two of them were women, Louise Farrenc, the first female professor at the Paris Conservatory, and Mélanie Bonis, who disguised her gender by using... [Read More]
Chamber music was hard to sell in 19th century Paris which was totally absorbed by opera, but a few composers took a stand and stood out. Two of them were women, Louise Farrenc, the first female professor at the Paris Conservatory, and Mélanie Bonis, who disguised her gender by using... [Read More]
George Meyer and the Griffon String Quartet Midsummer’s Music adds its voice to the start of our country’s Semiquincentennial (250th) Celebration. Violinist and composer George Meyer has created a special commemorative work for Midsummer audiences that will capture a sense of the time and its import. The work features George,... [Read More]
George Meyer and the Griffon String Quartet Midsummer’s Music adds its voice to the start of our country’s Semiquincentennial (250th) Celebration. Violinist and composer George Meyer has created a special commemorative work for Midsummer audiences that will capture a sense of the time and its import. The work features George,... [Read More]
George Meyer and the Griffon String Quartet Midsummer’s Music adds its voice to the start of our country’s Semiquincentennial (250th) Celebration. Violinist and composer George Meyer has created a special commemorative work for Midsummer audiences that will capture a sense of the time and its import. The work features George,... [Read More]
George Meyer and the Griffon String Quartet Midsummer’s Music adds its voice to the start of our country’s Semiquincentennial (250th) Celebration. Violinist and composer George Meyer has created a special commemorative work for Midsummer audiences that will capture a sense of the time and its import. The work features George,... [Read More]